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The Wilson Audio Sasha is the lineal descendant of the WATT/Puppy. When approaching the design of the original Sasha, Dave eschewed the modular, two speaker approach of the WATT/Puppy, and instead treated the loudspeaker as a single integrated design. Without this limitation, imposed by the fact that the WATT itself existed as a standalone monitor with its own integral crossover, Dave was free to explore the new platform in ways not possible with the WATT/Puppy. The Sasha’s performance established a new elevated standard for what is possible for hyper-performance, compact monitors.
When it came time to upgrade the Sasha, then in its Series-2 iteration, Daryl Wilson was mindful of what his father had accomplished. In the wake of Dave Wilson’s recent passing, Daryl was all the more motivated to ensure the Sasha would honor his father’s achievements, and yet look to the future for an even greater level of performance than was possible when Dave designed the original Sasha.
Daryl Wilson decided a fresh look at the Sasha was in order. He approached the Sasha as if it were an all-new loudspeaker, taking the elements that very clearly worked in its design and, at the same time, applying the myriad technologies generated by Wilson’s design team since the advent of the Series 2 nearly five years ago. The result is the largest upgrade in the history of the WATT/Puppy and Sasha platforms.
In recognition for the man who started it all, the Wilson team felt it apropos to dedicate this most ambitious iteration of the Wilson compact loudspeaker in its history to the visionary who first imagined it thirty years ago. Introducing the Sasha DAW. DAW for David Andrew Wilson, an homage to the man who started it all.
Woofer Module: Led by Vern Credille, the team designed a new woofer for the Sasha. Based on the 8-inch driver found in the Alexia Series-2, the new woofer was redesigned for the specific needs of the Sasha. To further augment bass performance, Daryl and his team redesigned the Sasha’s bass enclosure from the ground up. Thicker X-material panels further reduce (the already vanishing low) panel resonances. Enclosure volume was increased by 13.3%, which allows for greater bottom-octave authority and reduced distortion. The blades on the top of the module, where its companion midrange/tweeter rests, have been strategically redesigned with openings, which reduces cavity pressure in the space between the upper and lower modules. Finally, a new, ultra-low-turbulence port reduces already low unwanted wind-born noise.
Upper Module: For the design of the upper module, Daryl Wilson worked closely with Jarom Lance, one of Wilson mechanical engineers. Thicker panels throughout the module reduce resonance. An all-new pattern is cut into the inside of the enclosure, which mitigate internal reflections. Enclosure volume was increased by 10.2% for increased dynamic range and efficiency.
Time Domain: Since the original WAMM, designed in the early 1980s, all of Wilson’s loudspeakers accurately correct the individual drivers in the time domain. Like its bigger siblings, Sasha DAW is a modular design, which allows the drivers to be specifically aligned for each installation. In the Sasha DAW, a beautiful and functional calibrated “ladder” facilitates extremely fine adjustment within the time domain. For each installation, the midrange/tweeter module is adjusted in relation to the woofer drivers below, such that the four drivers are precisely aligned for that particular environment.